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Robert
Bolyard

Submitted:

April 8, 2013

Awarded

: $

1000

Contact Information:

Robert

Bolyard

1016 Howell Mill Rd

Apt 3606

Atlanta

GA

30318

USA

9174881641

Reference 1:

Gail Ann Schroeder

Reference 2:

Jorg Voss

Summary of Submitted Materials:

Submitted Documents:
Document 2
Document 3
Submitted Recordings:
Video 1
Committee Notes:

Project Description:

After learning on a instrument borrowed from Marie and, through her overwhelming generosity, continuing to use it for years, I got my own bass viol in 2009 and have been happily playing it since Its one of Charlie Ogles factory instruments and, although inexpensive, it has proved durable and possessing of a suitably well-rounded sound. As I mature as a gamba player and begin to start playing professionally, Ive realized that I need to start thinking about upgrading my instrument, and although I cant save enough in my current situation working full-time to support my husband in grad school to get a new instrument, I can at least work towards getting a new bow. By Conclave this summer I will have saved over 1200 to this end, and I would like to humbly request a grant to augment this amount to make it possible for me to buy a bow. my ideal would be a Grabenstein or Begin in the realm of 2000-2500, but I will not be choosing a specific bow until Conclave My hope is that, with the Societys help, I will be able to afford a bow that will not only service to enhance my work with my current instrument, but continue to serve me well into my professional life as a gamba player and with better instruments in the future

Request Amount:

$

1000

Total Project Cost:

$

Budget and Additional Funding:

Qualifications:

A choral conductor by trade, I have been playing the viol for about six years, having previously studied cello as a youth. Besides playing in consorts at Yale under Maries tutelage and my many local and national workshop experiences with the instrument, I have started playing in concerts in the Atlanta area collaborating with Gail Ann Schroeder, Martha Bishop, Susan Whaley, Chrissy Spencer, and Greg Armijo in a concert with the Athens Chamber Singers playing an Ortiz Ricercare with Uncommon Practice and playing continuo with Coro Vocati. I also have strong ties to the early music community here I am a board member of the Atlanta Early Music Alliance and was recently as yall know appointed to the board of the VdGSA, I have started an early music vocal ensemble the aforementioned Uncommon Practice, and this summer will be my second year on faculty at the Mountain Collegium summer workshop in North Carolina. As the viol becomes an integral part of my professional musical life, I am more dedicated than ever to hone my skills, and Im applying to the Consort Co-op program this year in the hopes of refining my musicianship even further. This feels like exactly the right time to upgrade my instrument in a meaningful way by acquiring a new bow, and I hope that, with the Societys help, this will be the year I achieve this goal

Letter of Reference 1:
Letter 1

Reference from JORG VOSS:

To: VdGSA April 9, 2013
The Viola da Gamba Society of America c/o Marie Szuts
(marie.szuts@gmail.com)


From: Jorg F. Voss
jorg@jfv.com
1495 Ridgefield Drive
Roswell, GA 30075


Subject: Letter of Recommendation for Robert Bolyard regarding a grant application
Robert Bolyard robertbolyard@gmail.com

Dear Ms. Szuts:

I have known Robert Bolyard approximately four years as a very fine musician and very valuable participant in the Atlanta Early Music community and as a fellow Gambist.

Robert is a church musician, vocalist and avid viola da gamba player.

He plays regularly in Martha Bishop’s Monday evening Viol ensemble, performs on his viols in local concerts, recently with “Coro Vocati“ of Atlanta as Bass Viol soloist.

He has repeatedly led local mixed instrumental/vocal groups, such as Voices and Viols at Mountain Collegium and Mid-Winter workshops and the Annual Meetings of the Atlanta Early Music Alliance.

Robert also founded and leads his own a-capella group “”Uncommon Practice” with emphasis of Early Music repertoire.

His administrative involvements have included being Secretary of the Board of Directors of the Atlanta Early Music Alliance (AEMA).

I whole-heartedly recommend Robert as recipient of a grant from the VdGSA.


Jorg F. Voss
Member of the VdGSA
President of the Atlanta Early Music Alliance
www.jfv.com

Letter of Reference 2:
Letter 2

Reference from GAIL ANN SCHROEDER:

Viola da Gamba Society of America
c/o Marie Szuts, President
656 Capell Street
Oakland, CA 94610


April 8, 2013


Dear Marie,

I am writing this letter on behalf of my student Robert Bolyard. Robert has been studying with me for the past few years and though we haven't met often due to the distance between us, he has grown by leaps and bounds. He is a very talented singer, choir director, cellist and keyboard player; in effect a very experienced professional musician and this has definitely carried over into his viol playing.

Robert is applying for a Grant-in-Aid in order to upgrade his viol bow. He is a very worthy candidate and I know he does not have the funds to buy a professional quality bow without assistance. As Robert's teacher and colleague, I look forward to the inspiration and benefit that he will gain from a new bow!

Thank you for taking his application into consideration.
Sincerely,
Gail Ann Schroeder

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