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Timothy
Smith

Submitted:

October 8, 2014

Awarded

: $

833

Contact Information:

Timothy

Smith

86 Nashua Rd

Pepperell

MA

01463

USA

617.543.9221

Reference 1:

Carol Lewis

Reference 2:

Kathryn Cooper

Summary of Submitted Materials:

Included is the grant request in PDF format.

Submitted Documents:
Document 2
Document 3
Submitted Recordings:
Audio 1
Audio 2
Video 1
Committee Notes:

Hi - time to get started on this. But first, what is our current amount to be distributed? According to our guidelines it is listed at the top of the applications page, but you need to get a password from Marie to get in there and I thought I would check with you guys before asking Marie for that. Thanks, Jack

10 days ago Marie sent me a note saying there is $2500 budgeted for this granting period, so we don't have to make that decision ourselves. All we have to do is figure out how to compress 3 reasonable requests for $1500 into $2500. It's going to be interesting. I look forward to seeing your thoughts on these applications and offering my own. I've thought of several scenarios, none of them ideal.
Lucy

Right - the same old problem, but with fewer candidates.

So, lay some of those scenarios on us! I'm ready!

- Jack

Anne is a friend and colleague and I know this project is very dear to her. She's putting a lot of in-kind contribution into it as well as some money of her own.
(She doesn't know that I am on the committee...or at least I think she doesn't) Her sister is Eva Legene who plays frequently with Wieland, so she's quite friendly with him and has taken some lessons. This seems to me to be a very interesting project....however it is a big one.....a projected $28,000 for the whole thing. 14 musicians to be hired, recording people etc. My concern is that it is too big to actually happen with the resources she has. Yesterday I got an email about using a crowd-funding source, Indiegogo. The aim is to raise $10,000 with this method. Today I see that she has raised in the neighborhood of $2700. This gives you some background. The other two people certainly seem deserving of some help to get new viols. One scenario I thought of was to give Anne $1000, since hers is a much larger project, and the other two $750.
Or we might consider splitting the $2500 three ways. Not very creative but somehow I think it would be hard to leave one out .
Lucy

Thanks for that info, Lucy. This is really a hard call. Instruments and recording projects are always so expensive, and our resources really are pretty small.

A three-way split would be about $833 each, which is a bit more than half of what each has requested. I can't see turning any of them down, and none of the three projects (or individuals) strikes me as more worthy than the others.

Truly, recordings do cost more than viols... but then again, there are more individuals involved in this recording project, and thus more points-of-contact for other sources of funding.

So I suppose I'm up for a three-way split unless there's any new info.

-David

P.S. I recall telling the Board (at Conclave) about scenarios like this... let us make sure that they know what decision we end up making and why. $833 (if that's what we end up giving each) is not chump-change, but it is considerably less than what they've requested, and all seem deserving.

I'm OK with this solution. Taking everything into consideration, I think it's the best we can do.
Lucy

Refresh my memory: if we give money to someone but they can't make the remainder and so can't accept our grant, can we reassign their grant to one or more of the other applicants? And/or would it make a difference if we knew before the next funding cycle began?

I'm just wondering if Anne's project is really gonna do it - that's a huge amount of money to raise - and if it doesn't, we could take that and give it to the two instrument wishers-to-havers.

Or does she keep VdGSA money in escrow, as it were, and hope to make up the remainder in, say, the next two years?

Which leads to this: do our grants have to be spent by a certain deadline? I don't remember this ever coming up before.

Ever more questions...

Jack

It's my recollection that the money has to be returned if it can't be spent. But I'm not sure what happens after that. I would guess that it would go back into the GIA fund for the next granting period. Marie, are you there?
Lucy

Jack, can you give an opinion on this. I assume you got the forwarded email from Marie. I'd like to get this granting period wrapped up sooner rather than later. Many thanks
Lucy

Hi - I've been going back and forth in my mind. Normally I would automatically go to the three-way split, but Anne's project is so much more ambitious (not to mention expensive) that I'm tilting in the direction of giving her a little more - making it, say, $1000 + 750 + 750. That gives each of the instrument seekers exactly half of what they asked for - so they, too, might be unable to make their goal. On the other hand, they might not with only 833.33, either.

David and I will be together tomorrow with a chance to talk. Could we wait until we've had that chance before finishing up? - Jack

Sure! Talk soon.
L

Project Description:

Financial help purchasing a bass viola da gamba.

Request Amount:

$

1500

Total Project Cost:

$

Budget and Additional Funding:

Qualifications:

Ive committed myself to seriously study the bass viola da gamba.Ive been consistently taking private lessons with Carol Lewis since 2012More information is included in the attached grant request PDF

Letter of Reference 1:
Letter 1

Reference from: KATHRYN COOPER
10/9/14
Dear Members of the Board:

I am honored to write this letter detailing my recommendation and support for Timothy Smith to receive a Grants-in-Aid award.

I have known Timothy both personally and professionally for 15 years. We first met while performing together in various musical ensembles at Vassar College, and since then, I’ve seen his love for music only intensify. When it comes to any activity, Timothy is always eager to learn. But when it comes to discussing music or making music—I’ve hired him for various gigs—Timothy’s appetite to understand more and improve musically has always been insatiable.

When Timothy undertakes any task, he has an incredible way of dedicating himself to the project and seeing it through to the end. I have rarely seen such focus and excitement for music, and I believe that with the viola da gamba, Timothy has found his musical calling. Every time we speak, write, or visit, he speaks passionately about what he learned in his latest lesson, how much more he wants to learn, and how this musical instrument, above all others, is what he dreams of playing, learning about, and composing for day in and day out. A dedicated father of two young children, Timothy treasures the moments every day when he can practice and re-focus as his kids nap—though he equally loves entertaining them with new tunes. Simply put, Timothy is dedicated to this unique instrument, and is proud to share his knowledge with family, friends, and mentors alike.

Timothy has been renting a viola da gamba and commuting four hours round-trip to lessons each week. I know it was his intention to purchase an instrument this year, but in light of various expenses due to his father’s unexpected passing, I’m aware that Timothy is currently stretched to the limit financially. This grant would help him wisely invest in his own instrument, and would allow him to dedicate himself to learning and sharing his passion for music without the financial burden. After three decades of playing music in the military, composing, and discovering an instrument that he hasn’t been able to put down for years, Timothy deserves this award.

With his incredible character, passion, and dedication to the viola da gamba, I can’t recommend anyone more deserving of this Grants-in-Aid award than Timothy.

Sincerely,
Kathryn Cooper

Letter of Reference 2:
Letter 2

Reference from CAROL LEWIS:

October 12, 2014
To Marie Dalby Szuts, VdGSA President –

Dear Marie,

I am very happy to recommend Timothy Smith (aka Tim Sean) for a Viola da Gamba Society of America grant-in-aid. He has been studying privately with me for about two and a half years, and he is one of the most sincere and hardworking students I have met. I have been continually impressed with the initiative and effort he has put into finding an instrument, finding music, and seeking out recordings so that he can listen and continue to practice and learn while he is on his own. He has improved steadily during the time I’ve known him, paying particular attention to rhythms (all early-music rhythms are new to him) and articulation (he’s a brass player by training, and had never played a string instrument before.) He is very musical, and we’ve just gotten to the point where he’s played some duets with another of my students, something that I think will cause him to get lots better in a very short time.

Tim is a stay-at-home dad, so his time to get out and have a lesson is limited to Wednesdays, which is the day he usually doesn’t have to take care of his two small children. He drives (during rush hour) a route that sometimes takes him more than two hours to get to my house, and still he perseveres. For the first couple of years, he rented a bass viol from the VdGSA (again, this was all his own idea, to seek out and discover where to get an instrument.) Lately, he’s been borrowing an instrument that belongs to Somerville (MA) High School but is not being used by them at the moment.

Tim wants – and needs – to buy his own instrument. He had planned to do this some time ago, but other financial constraints caused him to use his viol fund on family expenses. I don’t know how soon he will be able to buy a bass viol of any kind without some help from the VdGSA. I know he counts his pennies carefully, and would use any grant wisely.

I urge you to give Tim the grant he seeks. He loves the viol, is always eager to listen and learn, and could only improve if he had his own bass viol.

Thank you for your help. Please get in touch with me if you have any questions.

Best wishes,
Carol Lewis
34 Newbury St.
Somerville, MA 02144
Tel. (617) 776-8688
catlines@aol.com

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